“One plot. We did not wait for a second truck.”
Kasia D. · Producer
Recce the lane. Shoot the hour it actually looks like. Grade once.
Recce the lane. Shoot the hour it actually looks like. Grade once.
Dgti produces commercial photography and motion from Lublin. Stills and film share one plot so a campaign does not arrive as two vendors, and a lookbook does not argue with a cut in public.
The rooms on Krakowskie Przedmieście hold tabletop, a compact cyclorama, and a colour desk. Clients review tethered stills and a calibrated picture in one visit. Product and grade are not two appointments.
Location days stay on the plaster we recce. Bounce and a quiet key match the lane; we do not gel a postcard onto a grey street. If the weather turns we wait or we rewrite the shot.
Agencies come with a media plan. We name masters for print, 1:1 and 9:16, keep a working project for the revision window, and hand an archive another team can open a year later.
A core crew that travels. Local support when the story needs it. Finishing stays in Lublin.




“One plot. We did not wait for a second truck.”
Kasia D. · Producer
“The room looks like the street that afternoon.”
Marek P. · Hotel brand
“A LUT and frames. I did not invent Lublin.”
Ewa L. · Retoucher
Tabletop, a small cyclorama, and a colour-managed finishing desk at Krakowskie Przedmieście 16, Lublin. Tethered stills and a calibrated monitor in one visit so a pack shot and a film pull are decided in the same room.
See the studio